Landmarks Orchestra's logo that reads: "Boston Landmarks Orchestra" surrounded by a deep purple rectangle. Clockwise, there are other squares with different colors and abstract figures in white, including an orange square with a violin player, a brown square with a conductor with a baton, a red square with a narrator reading from a book, a yellow square with a flute player, a gray square with two figures applauding, and a green square with a dancer.

Juneteenth

Saturday, June 14 at 3:00pm
The Ray & Joan Kroc Corps Center
650 Dudley Street
Boston, MA 02125

Table of Contents

Juneteenth

Boston Landmarks Orchestra
Christopher Wilkins, conductor
DeShaun Gordon-King, flute

L’Amant anonyme Overture Joseph Bologne,
Chevalier de Saint-George
(1745–1799)
Bamboula Louis Moreau Gottschalk
(1829-1869)
orchestrated David Kempers
Serenata: Scherzo Teresa Carreño
(1853-1917)
Summerland William Grant Still
(1895–1978)

DeShaun Gordon-King, flute

La Flûte de Pan Jules Mouquet
(1867–1946)
orchestrated Alfred Quensel
Pan and the Shepherds
Pan and the Birds
Pan and the Nymphs

DeShaun Gordon-King, flute

 Angels Nine Karen Walwyn
(b. 1962)
Sophisticated Lady Duke Ellington
(1899-1974)
arranged Morton Gould
“Martin Luther King Jr.” from Three Black Kings Ellington
arranged David Kempers

DeShaun Gordon-King, flute

Run Time

The total run time of this concert is approximately an hour and ten minutes, with no intermission.

Boston Landmarks Orchestra

Boston Landmarks Orchestra LogoBoston Landmarks Orchestra builds community through great music. Landmarks produces free concerts and musical events across the greater Boston area. Increasing access to music for everyone is at the core of all its programming. Between 2018 and 2023, 70% of the repertoire Landmarks performed was written by composers of color or women. The orchestra intentionally promotes artists and targets audiences that have been historically excluded from orchestral music. Landmarks was founded in 2001 and began its signature summer concert series at the DCR Hatch Memorial in 2007. The orchestra also performs community concerts at local venues in neighborhoods such as Roxbury, Dorchester, and Jamaica Plain.

Headshot of Christopher Wilkins. He is smiling, wearing a gray and light blue shirt.CHRISTOPHER WILKINS was appointed Music Director of the Boston Landmarks Orchestra in the spring of 2011. Since then, he has expanded the orchestra’s mission of making great music accessible to the whole community. He has also helped develop the orchestra’s Breaking Down Barriers initiative, making accessibility a priority in all aspects of the orchestra’s activities.

Mr. Wilkins also serves as Music Director of the Akron Symphony. As a guest conductor, Mr. Wilkins has appeared with many of the leading orchestras of the United States, including those of Chicago, Cincinnati, Cleveland, Dallas, Detroit, Houston, Indianapolis, Los Angeles, Pittsburgh, and San Francisco. Previously, Mr. Wilkins served as Music Director of the Orlando Philharmonic, the San Antonio Symphony, and the Colorado Springs Symphony.

He has served as associate conductor of the Utah Symphony, assisting Joseph Silverstein; assistant conductor of the Cleveland Orchestra under Christoph von Dohnányi; conducting assistant with the Oregon Symphony under James DePreist; and was a conducting fellow at Tanglewood. He was winner of the Seaver/NEA Award in 1992.

Born in Boston, Mr. Wilkins earned his bachelor’s degree from Harvard College in 1978. He received his master of music degree at Yale University in 1981, and in 1979 attended the Hochschule der Künste in West Berlin as a recipient of the John Knowles Paine traveling fellowship. As an oboist, he performed with many ensembles in the Boston area, including the Berkshire Music Center Orchestra at Tanglewood, and the Boston Philharmonic under Benjamin Zander.

Violin I

Gregory Vitale, Concertmaster

Christine Vitale

Colin Davis

Rose Drucker

 

Violin II

Paula Oakes, Principal

Stacey Alden

Robert Curtis

 

Viola

Kenneth Stalberg, Principal

Abigail Cross

 

Cello

Raffi Popper-Keizer, Acting Principal

Javier Caballero

 

Bass

Robert Lynam, Principal

 

Flute/Piccolo

Lisa Hennessy, Principal

Oboe

Benjamin Fox, Acting Principal

Alessandro Cirafici

 

Clarinet/Alto Saxophone

Rane Moore, Principal

 

Bassoon

Lecolion Washington, Acting Principal

 

Horn

Kevin Owen, Principal

Whitacre Hill

 

Trumpet

Dana Oakes, Principal

 

Percussion

Robert Schulz, Principal

 

Piano

David Coleman

 

Personnel Manager 

Christopher Ruigomez

Guest Artists

Headshot of DeShaun Gordon-King holding his fluteKnown for his soulful tone and mesmerizing phrasing, Trevor James Alto Flute Artist Díjí Kay (née DeShaun Gordon-King) has given performances as a soloist and principal flute in Europe, Asia, and throughout the United States. Díjí Kay grew up surrounded by griot traditions and jazz and gospel music. Inspired by the worlds and traditions of his upbringing, Díjí Kay grew passionate about programming that blends them all together to create unique and memorable concert experiences.

As he continued to expand his musical versatility, Díjí Kay also went inward to cultivate his spiritual practice. It was through these meditations that he understood exactly how he and his art were meant to serve the greater collective. Díjí Kay moved to Cambridge to pursue a Performance Diploma from the Longy School of Music where he worked with Sergio Pallottelli.

During his time in Boston, Díjí Kay has performed at Symphony Hall, Pickman Auditorium, Linde Center at Tanglewood, and has worked with Castle of Our Skins, the Celebrity Series of Boston, Shelter Music Boston, Boston Children’s Chorus, and with the American Repertory Theatre’s production of Evita. A graduate of the Longy School of Music and Harvard Ed Portal Pipeline Artist Fellow, Díjí Kay’s work and studies center around synergizing the principles of therapeutic music, sound healing, and vibrational therapy to curate healing and transformative concert experiences.

Ambassador Program

Started in 2022, the Ambassador Program aims to seasonally employ enthusiastic, music-loving folks from a variety of backgrounds, representing the diversity of Boston’s neighborhoods. With 54% of our Ambassadors speaking more than one language—including Spanish, Portuguese, and French—they help spread the word of Boston Landmarks Orchestra to a vast number of Boston communities, including Roxbury, Jamaica Plain, East Boston and more. From promoting our concerts in their own neighborhoods, to helping patrons both new and familiar navigate the Esplanade, our Ambassadors are here to engage as many people as possible, promoting Boston Landmarks Orchestra’s mission of building community through great music.

THANK YOU
to our many donors and supporters. 

Click here for current list of donors 

Special thanks to Directors, Advisors, Musicians and Staff who make our work possible.

Click here for a list of Board Members

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